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/min/ - Geology, Mineralogy and Alpinism

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     No.3

    >in 1894 climbed Beachy Head before visiting the Alps and joining the Scottish Mountaineering Club. The following year he returned to the Bernese Alps, climbing the Eiger, Trift, Jungfrau, Mönch, and Wetterhorn.
    >in 1897 he made the first ascent of the Mönch without a guide
    >In 1902, he was joined in India by Eckenstein and several other mountaineers: Guy Knowles, H. Pfannl, V. Wesseley, and Jules Jacot-Guillarmod. Together, the Eckenstein-Crowley expedition attempted K2, which was never climbed before. On the journey, Crowley was afflicted with influenza, malaria, and snow blindness, and other expedition members were also struck with illness. They reached an altitude of 20,000 feet (6,100 m) before turning back.

     No.13

    File: 1749631796935.png (119.48 KB, 489x491,imageMagick_20250611164925.png)

    >>3
    Found a picture of the 1902 K2 Expedition group.

     No.14

    - Eiger (13,015 ft), Bernese Alps, Switzerland
    - Wetterhorn (12,113 ft), Bernese Alps, Switzerland
    - Jungfrau (13,642 ft), Bernese Alps, Switzerland
    - Mönch (13,480 ft), Bernese Alps, Switzerland
    - Dent Blanche (14,298 ft), Pennine Alps, Switzerland
    - Matterhorn (14,692 ft), Pennine Alps, Switzerland
    - Iztaccíhuatl (17,160 feet), Trans-Mexican Volcanic Belt, Mexico
    - Popocatépetl (17,802 feet), Trans-Mexican Volcanic Belt, Mexico

    https://www.climbing.com/culture/aleister-crowley-the-wickedest-climber-ever/

     No.15


     No.16

    >The Voice of Aiwass came apparently from over my left shoulder, from the furthest corner of the room. It seemed to echo itself in my physical heart in a very strange manner, hard to describe. I have noticed a similar phenomenon when I have been waiting for a message fraught with great hope or dread. The voice was passionately poured, as if Aiwass were alert about the time-limit … The voice was of deep timbre, musical and expressive, its tones solemn, voluptuous, tender, fierce or aught else as suited the moods of the message. Not bass – perhaps a rich tenor or baritone. The English was free of either native or foreign accent, perfectly pure of local or caste mannerisms, thus startling and even uncanny at first hearing. I had a strong impression that the speaker was actually in the corner where he seemed to be, in a body of "fine matter," transparent as a veil of gauze, or a cloud of incense-smoke. He seemed to be a tall, dark man in his thirties, well-knit, active and strong, with the face of a savage king, and eyes veiled lest their gaze should destroy what they saw. The dress was not Arab; it suggested Assyria or Persia, but very vaguely. I took little note of it, for to me at that time Aiwass was an "angel" such as I had often seen in visions, a being purely astral.
    >The Equinox of the Gods

    This's really interesting…

     No.17

    I find that over these years, my favourite composition is not only Xenakis' La Légende d’Eer / Bohor, also Scelsi's Aion and Konx-om-pax. Obviously Konx-om-pax was inspired by Crowley.