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/b/ - Stochastic

"Alle Empfindungen stiegen bis zu einer niegekannten Höhe in ihm. Er durchlebte ein unendlich buntes Leben; starb und kam wieder, liebte bis zur höchsten Leidenschaft, und war dann wieder auf ewig von seiner Geliebten getrennt."
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     No.178

    1. God obviously is not only nature, because, music is not nature.
    1.1. most [perhaps all] of the formal musical components exist in nature;
    1.2. the mechanical designs of musical instruments imitate nature;
    1.3. the musical intervals, pitch classes formally exist in nature, like the ratio design of ancient architecture, which literally imitates nature.
    1.4. So music theories formally exist in nature.
    2. the sum of all "good" music pieces equal to the spirit (not really, I doubt it, compared with this statement, I doubt more about this: some single music pieces equal to the wholly of the God. So I put this more forward.) Is the sum of all spirits equal to the soul of the God?
    3. The nature is the body of the God (Schelling's Ages of the World), and the music is the spirits of the God.

    useful references:
    - https://txtdot.deep-swarm.xyz/get?url=https%3A%2F%2Frsarchive.org%2FLectures%2FGA283%2FEnglish%2FAP1983%2F19061203p02.html&engine=&format=html
    - Holy Ghost, Tim Hodgkinson

     No.179

    >>178
    1. Before music existed, God had only a body and no consciousness. Was it the gradual emergence of archetypes that led to the gradual emergence of music? Or, the archetypes were formal components that literally existed in the "beginning", so there is no such thing as "the gradual emergence of archetypes," there were only things like, the musical entity found its ground and became conscious, i.e., talking more about abstract concepts than human life.
    2. Historical evidence of the chronological emergence of music, oral poetry, and ancient religions may indicate some early facts.

     No.192

    >For the past few years, Kolar and her colleagues have been focusing on Chavin de Huantar, a pre-Inca site in Peru that served as a regional religious center. People apparently came to a circular plaza to worship, and to hear an oracle's pronouncements issuing from a stone gallery.
    >The Stanford team conducted a detailed acoustical study of the gallery's cross-shaped passageways. They found that the central duct between the gallery and the plaza would serve as an acoustic filter system, accentuating the tones produced by the priests' ceremonial conch trumpets, known as "pututus."
    >"There was theater going on," Kolar said. The thrilling effect of the trumpet calls and the oracle's words may well have been heightened by the psychoactive effects of the San Pedro cactus that the Chavin people consumed during their rituals.
    >…
    >Lubman says the staircase can produce an aural as well as a visual effect: When you clap your hands at just the right spot, the echo comes back sounding much like the chirp of the quetzal bird, which was sacred to the Maya.
    >https://txtdot.deep-swarm.xyz/get?url=https%3A%2F%2Fwww.nbcnews.com%2Fscience%2Fscientists-revive-sacred-sounds-6C10402460&engine=&format=html