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/b/ - Stochastic

"Alle Empfindungen stiegen bis zu einer niegekannten Höhe in ihm. Er durchlebte ein unendlich buntes Leben; starb und kam wieder, liebte bis zur höchsten Leidenschaft, und war dann wieder auf ewig von seiner Geliebten getrennt."
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    File: 1712584903259.png (77.06 KB, 206x205,imageMagick.png)

     No.58

    Wtf is those huge distortion? Track 7 of https://play.qobuz.com/album/uzejfik2ni5db

     No.60

    >>58
    Sounds like what comes when there's transcoding error. Encountered one too, unsimilar, it's a high-frequency noise. In the last track of this album:
    https://play.qobuz.com/album/3800218030175
    The most noticable is around 4:21, while the whole track is infected. It's tolerable, while unpleasant, if you use an headphone (e.g. HD600 in my case) or a speaker, but with an IEM it's ear-piercing.
    I own a CD of this album, there's no artifact like this on it.

     No.61

    >>60
    Why does it always feel like it won't be fixed, doesn't anyone notice? This release has been out for almost 3 years now. Streaming services sometimes have problems like this, missing tracks or even different lengths. It literally damaged my ears yesterday… I thought there was something wrong with my cheap DAC. I tried downloading this track from other platforms and it was all the same glitch sounds. I wish someone would rip the CD.

     No.62

    >>61
    Wow. It's even broken here, and broken in exactly the same way.
    Really makes me want to at least try a prestoclassical purchase and see whether it's even there…
    https://invidious.fdn.fr/watch?v=nutzMhA6ho4

     No.86

    Rejoice!
    The CD arrived, and as I've expected, no artifact on the seventh track.
    Download Link

     No.87

    >>86
    This is so great! Hopefully Weithaas will be happy to see your ripping as well. Btw, would you like her rendition? For me this style is close to that of M. Winkelmann's core and I'm actually really fascinated by this kind of thing.
    Her Op.132 on this album is very different from that of the Budapest String Quartet, which was my first listen of Op.132.

     No.88

    >>86
    Please keep these files for a while, I’m outside at the moment, on the way to seaside. XD

     No.89

    >>87
    Don't have much opinion towards her or Moritz Winkelmann's renditions. Both are characterized by technical proficiency and unpretentiousness, and are pleasant to listen to, but nothing more.
    Perfection comes with mediocrity or even banality, this is most easily seen in Beethoven's works themselves; his works aren't perfect, sometimes clumsy, sometimes just… you know what I mean, but they're transcendental, they're singular and beyond language. In contrast I sense too much a perfection in e.g. Weithaas' playing. BTW that's why I love Rudolf Serkin's and Vegh Quartet's recordings.
    Maybe some people will say this is romanticism nonsense, and they'll frankly show their superiority by claiming their preferred performer's rendition's being "scientific" and "precise", but I don't care what plebs say.

     No.109

    File: 1715096075155.png (77.64 KB, 288x325,w-1:27.png)

    Berlin Classics, you're kidding me… starting from 1:12, track2: https://play.qobuz.com/album/q7er0uoy3i3ua, multiple slight clicking sounds appears, left channel. 1:27 emerging a long series of disturbing clicking sounds, it's clearly visible in the spectrogram.
    4:49, 4:55, 5:01-5:03