Movement 10, 11. Inside the spherical noise, the gathering of sparking souls is marked by delicate sounds. Something is emerging from the white noise, and this unfolds in a reverse manner. The sine waves gradually interrupt the white noise (3:06-) until the noise holds, then suddenly fades out, sound waves continue to resonate and maintain equilibrium within their gradually endless waving, and, reclaiming the spaces once held by noise.
Movement 11 is so saturated with noise that it becomes melancholic, like when I was listening to Bohor. Movement 11 handles the delicate sounds better than the latter half of Bohor, the key is might be that Bohor doesn't pack them in forms, and present them too obscure, below perception. Movement 11 obscures very high frequencies (interesting patterns) as well but it makes perceptible sounds take over most of the image so it makes listener acknowledged.