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"This is the only hypothesis. From these two constraints and with the aid of stochastics, I built an entire composition without admitting any other restrictions."
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    File: 1712917848376.jpg (23.58 KB, 300x394,Josquin.cleaned.jpg)

     No.24

    Josquin des Prés (c. 1450/1455 – 27 August 1521).
    Mostly vocal compositions, including works of masses, anthems, motets, chansons & madrigals.
    The background image of this chan's logo was a presumed signature of him, written on the wall of the choir gallery of the Sistine Chapel, JOSQUINJ. (https://en.cantoria-mainz.de/graffiti-edition/)
    So it was probably Radulescu's mention that introduced me to this composer, and that may have been the formal initiation of my interest in the music of renaissance period, particularly in the mass genre. As before, I wasn't attracted to Beethoven's mass works in the first place, but to his, this more serene and solitary thing, extreme sentimentality.

    I use this as main sources, Josquin Desprez (c.1440/55-1521) - A discography: http://www.medieval.org/emfaq/composers/josquin.html & The Other Josquin - C.M.M.E: http://www.cmme.org/database/projects/14

    3rd generation of Franco-Flemish School,
    Other notable contemporaries of Josquin, e.g. Heinrich Isaac (1450 – 1517), Obrecht (1457/8 – 1505), also covered under this thread.

    - Franco-Flemish composers: https://wikiless.deep-swarm.xyz/wiki/Category:Franco-Flemishcomposers?lang=en

     No.25

    Josquin Desprez: In memoria mea (Carpe Diem)
    With ultra high quality booklet, texts also avaliable online: https://cantusmodalis.org/de/articles/92-in-memoriam-josquin-des-prez-2
    >It has been my experience that the rhythmic themes and variations of the horses’ hooves would often lure me into an alternative reality in which were conceived some of my most compelling mensural relationships, a large proportion of which composed themselves into some form of a short-long ternary pattern, even when in a supposed binary meter. Of course I would of necessity have to wait until I reached my next chapel and was surrounded by my ever curious colleagues, where together we would put whatever I had finally confined to paper to the indispensable test of a first reading in the acoustical surroundings for which it was intended.21 And after which I would make any necessary improvements. Apropos: yes, I am a perfectionist and won’t let any music out of my hands until it is truly finished.

     No.26

    - Transcription: http://www.cmme.org/database/pieces/116
    - medieval.org has much information on Josquin's Missa Pange lingua: http://www.medieval.org/emfaq/cds/ast8639.htm
    - Notable cd releases: Hyperion CDA66614, Regulus RGCD-1031, Arion ARN68043, Astrée (Naïve) E8871 etc.

     No.28

    File: 1713101433549.jpg (534.86 KB, 1452x1486,Missa Paschalis ad organum.jpg)

    not available for streaming…
    Ambitus (amb 96 965)

     No.32

    File: 1713772820816.webm (6.2 MB, 600x600,Missa-ad-organum-for-Easter-Sunday-1.webm)

    Track1 from RIC206692.