1. in 1791 Dec, Mozart died in Vienna.
2. in 1791, Novalis published his first work
3. in 1791, Schelling read Kant's "Critique of Pure Reason" for the first time
4. in 1791, James Hutton gave up his field work
5. in 1791, Christian Gotthold Schocher published "Soll die Rede auf immer ein dunkler Gesang bleiben, und können ihre Arten, Gänge und Beugungen nicht anschaulich gemacht, und nach Art der Tonkunst gezeichnet werden?"
6. in 1791 Dec, William Gregor found the manaccanite: Titanium

A detailed picture of the north face of the Matterhorn!

>>3
Found a picture of the 1902 K2 Expedition group.

- Eiger (13,015 ft), Bernese Alps, Switzerland
- Wetterhorn (12,113 ft), Bernese Alps, Switzerland
- Jungfrau (13,642 ft), Bernese Alps, Switzerland
- Mönch (13,480 ft), Bernese Alps, Switzerland
- Dent Blanche (14,298 ft), Pennine Alps, Switzerland
- Matterhorn (14,692 ft), Pennine Alps, Switzerland
- Iztaccíhuatl (17,160 feet), Trans-Mexican Volcanic Belt, Mexico
- Popocatépetl (17,802 feet), Trans-Mexican Volcanic Belt, Mexico

https://www.climbing.com/culture/aleister-crowley-the-wickedest-climber-ever/

The British Kangchenjunga expedition team used the same route Crowley and his companions had pioneered 50 years prior (The 1905 Kanchenjunga expedition), which made the first ascent of Kangchenjunga (8,586m).

https://txtdot.deep-swarm.xyz/get?url=https%3A%2F%2Fwww.thebmc.co.uk%2Fen%2Fkanchenjunga-8586m-the-story-of-the-first-ascent&engine=&format=html

>The Voice of Aiwass came apparently from over my left shoulder, from the furthest corner of the room. It seemed to echo itself in my physical heart in a very strange manner, hard to describe. I have noticed a similar phenomenon when I have been waiting for a message fraught with great hope or dread. The voice was passionately poured, as if Aiwass were alert about the time-limit … The voice was of deep timbre, musical and expressive, its tones solemn, voluptuous, tender, fierce or aught else as suited the moods of the message. Not bass – perhaps a rich tenor or baritone. The English was free of either native or foreign accent, perfectly pure of local or caste mannerisms, thus startling and even uncanny at first hearing. I had a strong impression that the speaker was actually in the corner where he seemed to be, in a body of "fine matter," transparent as a veil of gauze, or a cloud of incense-smoke. He seemed to be a tall, dark man in his thirties, well-knit, active and strong, with the face of a savage king, and eyes veiled lest their gaze should destroy what they saw. The dress was not Arab; it suggested Assyria or Persia, but very vaguely. I took little note of it, for to me at that time Aiwass was an "angel" such as I had often seen in visions, a being purely astral.
>The Equinox of the Gods

This's really interesting…

I find that over these years, my favourite composition is not only Xenakis' La Légende d’Eer / Bohor, also Scelsi's Aion and Konx-om-pax. Obviously Konx-om-pax was inspired by Crowley.

Now, it supports inputting multiple bird names, e.g., Goldamsel, Zaunkönig, Buchfink, separated by commas. This applies to volume 3-4 track names:
Mischwald (Goldamsel, Zaunkönig, Buchfink, Amsel, Ringeltaube, Kuckuck, Kohlmeise, Krähe)
can be used directly for an efficient search.

We basically have three indicators to measure the quality of an outdoor activity:
- Speed / time: the marching speed, exact speeds that calculated precisely by handful devices, such as the elevation gain rate for mountaineering or speeds in kilometers per hour in the case of road cycling. For hiking, it seems that the slower the better, normie-hikers feel like they are in a mode of "unplugged" so the slower, the longer the better. They can finally fully enjoy "the beauty of nature".
- Routing design: for mountaineering it depends on the understanding of terrains and topography conditions. For hiking etc. :
- expectations / predictions about the scenery
- deliberate adventures: the direction of the route for the next few minutes heavily depends on the actual conditions of the previous few minutes. Real-time feedback.
- Destination: the goal of summiting etc.

The latter two can be confidently grasped before the outdoor activity begins. Speed depends on the experience gained from repeated training. For this I don't think speed is matter. Repeatitive body training is meaningless and boring.

With routing design: you can take control and actively make decisions about the route in advance or in the moment, and if the route is poorly considered, it will definitely become an obstacle for the speed. In some extreme situations, it will affect the reaching of destinations or the boolean result of the summiting.

Routing design is a mixed of many aspects of higher stuffs. That's essentially speculative. This conclusion is highly dependent on experience and the need to integrate thoughts with perceptive experience.

Hiking is attractive to company slaves and they form very large groups for hiking together. They have also brought a certain commercialized style into mountaineering. To be honest, hiking is very striking for its "purposeless". Except for those who are really doing researches or field investigations, most hikers are just consuming nature in order to elevate themselves. They will immediately try to elevate their souls to a sameness state with nature, or deliberately maintain respect for nature. Hiking is not a modern outdoor activity. I would say it is actually very ancient and not really an outdoor activity.

>>5
>Hiking is attractive to company slaves
LMAOOOO I just found some epic words made by Evola:

>we should save the mountains from the contaminating
>invasion of tourists who attempt to conquer them by building their “civ-
>ilized” base camps. I am not just referring to those faint-hearted youths
>who bring with them to popular mountain resorts their vain, mundane
>city habits (such as discos and tennis courts), and who snobbishly display
>the colorful new equipment they’ve bought to use only for some harm-
>less walk in the woods. I am also referring to those who tamish silent
>and uncontaminated places with materialism and triviality, namely with
>a competitive spirit and a mania for that which is difficult and unusual,
>for the sake of setting new records.

Evola is so successful of being a half-philosopher LMFAOOOOO

My first geological hammer Estwing E3-16BLC is on the way, I also bought a small compass and prepared an Outdoor research seattle rain-hat (classic blue one) for general field work. It's really difficult to find a focus for geological work, especially for a novice. The most breathless thing is that it's hard for me not to pay attention to the tools, the gears. Geological work is obviously very dependent on tools. Before making your own special tools, you have to learn all the tools they provide.