No.99
File: 1721902387432.webm (6.5 MB, 700x700,Maȟpíya Lúta - Wowahwala - 01 Wacantognaka.webm)
A strong sense of doom or sludge metal in some places (the opening of
Wacantognaka), but instead of focusing on the depressive and evil riffs that doom metal is often overly obsessed with, it maintains a kind of melodic tone towards clearer skies or a better home (at the end of 2nd minute). All of it calls forth a nomadic spirit similar to that of the riding Rohanian, perseverance, courageous and resolute. The not-too-ear-piercing screaming are just right with the fuzzy instrumentals.
Wacantognaka - Wowahwala. One of the drums (supposed to be a shaman drum) is strange and subtle as they are very concerned with their band's identity (native north-American, Oglala Lakota indigenous people in the US Midwest). Off-theme drum beats that appear at 3:55 and 7:33 leaves one lost for a moment. After 5:04 (and then 9:00), it moving to clear acoustic guitar lament, the left and right channels seem to place the same guitar lines with different delays and tempo.
Band members are probably all anonymous, can't find much more information.
>The Lakota people are also known as the Teton Sioux, traditionally made up of seven bands or sub-tribes of which the Oglala is one such band. One of the Oglala band's notable military leaders and politicians was Red Cloud (1822 – 1909) whose photographic portrait graces the front cover of Maȟpíya Lúta's first album "Wóohitike".>A powerful tribute to Lakota people's values, culture and resistance - 78% No.130
This's not a good solution. Because you need to *temp trust* domains of bc and bcbits.
No.132
Actuaaally I think that many bands, that adopt a mystical stance, that try to directly convey a Dionysus vibe, usually turn out to be very tedious and ridiculous. Even with secular music like rock, they don't need any distinctive "themes".
So this is why I don't like those hipster metal bands on BC.
No.159
>>133Heavy psychedelic quartet from Virginia. Unblievable beautiful… I've found Windhand several years ago but obviously it sounds quite different now.
Now I think fuzz guitar should all best replaced by noise guitar. Soft fuzzing-echo-feedback guitar sounds too cheap, better add more noise particles.
People should remember that there were also real stoner-metal pioneers like
Blues Creation.
Melodic, but no theme, better with sentimental singing is the best match for these music.
No.160
>>159>无脚步无声音激活岛上花园>它像那沉睡于魔法中的宫殿>没有卫兵挥舞致敬的旗帜>君侯，祭师和伯爵尽皆逃逸Somehow the current state of
Life is full of sin.
No.161
File: 1725682919138.webm (5.21 MB, 600x600,03. Burzum - Erblicket Die Tochter Des Firmaments.webm)
>>133This is more than a Legend.
The
best black-doom-drone-noise metal album.
No.163
>>160你不知道在经过贝多芬 Op.111 或者 Yuji Takahashi 的哥德堡变奏曲的洗礼后，在进入威廉麦斯特或者奥夫特丁根的世界生活后，还能如何面对此刻的生活。你发现你的心灵和某些诗人确实相通，世界不是眼睛看到的那样，也不是只能去用哲学美文将自己灌醉的要去拼命解释的世界，这个世界到处站立着活生生的散发着各种特殊气质的诗人和艺术家，随意一首恰当排版的精美 pdf 里的抒情小诗就能把你拉到他们的身旁，在任意一个深邃的宁静夜晚，你坐在可悲的公寓房间里，却与他们面对面对话。他们在晦涩的，对于现代人来说无法考证的历史世界中——然而实际上就在你的面前——畅谈着诗人要读要了解的哲学，然后你能看到他们能轻松地就高于那些，哲学家则会永远慈祥地观察着他们。你看到那些伟大的深色雕塑的人在一个寂静的深处，投身入一个清澈透明的空间。你熟知他们的身平，知道他们最终是如何死去，而你看到的是他们激动到涨红的兴奋的面容，他们谈论着最热爱的东西，因为他们的生命是生生不息的。如费希特所说，他们的灵魂在那些不同的状态中不停拉扯。对于有的人来说，总能停留在一个无比特殊的位置，而轻易地就高于了一切，解决了一切，所有的解释都停止了，所有的哲学都不存在了，所有的历史或发生过的战争都粉碎在了他们那里。对于有的人来说，奇异的瞬间需要立刻把握住，而所有的生活和创作都在里面展开。对于有的人来说，能用任何办法延长这种极乐-迷醉般的沉思状态。
温暖的阳光洒在他们身上的毛衣，和被定格住的优美的白皙面容。
No.164
I suddenly remembered that way back when I was younger, I really want to form a band and play noisy improvised acid rock music like this one… I downloaded mp3 files which had a txt comment file from the ripper:
>Here's a rare treat from a killer acid rock band from Kyoto! The name of the band is Renzoku Shasatsuma (which translated to serial killer or sniper) and the title of the record is "Shibuya Yaneura" (meaning "Shibuya Attic") and is a live recording from March 26th, 1978. This recording seems to be split into two seperate shows (on the same day perhaps?) with the first part showcasing some absolutely head-splitting psyche rock! Almost completely instrumental, this power trio let the music speak for itself (save for a few vocal lines here and there), and when their show starts off, it's notably weirder and more noisy than most rock bands were aiming for in '78. The guitar is cranked up loud as hell and is making a weird, ominous amplified power drone with phaser pedals cranked up and controls set to the heart of the sun. When the rest of the band enters the noise, they all kick into some killer mix of Sabbath and Procol Harem (yes…strange, but true). Then after some tasty soloing…they settle into some kind of Fushitsusha styled free rock vibe, with the drums scattering and stumbling all around the open spaces. Needless to say, pretty exciting stuff. As the songs move on, they continue to explore more of that lovely damaged psyche with heavy guitar soloing and some slight blues undertones. As the record goes into the second part, Renzoku Shasatsuma channel more of their inner rock beast and deliver some faster, more upbeat, and savage rock. Extended solo (mostly guitar) and long jamming makes for some good times…although, it must be said, that there are more vocals on this second part of the cd and they can be a little tough to ignore at times…but hey, it's a live recording and it's raw and unpolished. It's just rock and roll…so i suppose I can't complain.
>Fans of Black Sabbath, Les Rallizes Denudes, Overhang Party, Ningen Isu, Fushitsusha / Keiji Haino, and other legendary acid rockers are encouraged to check this one out. Let me know what you think after you've spun this platter in your love den.
>I'd like to dedicate this post to Dirk from Cities On Flame who sadly passed away last month as most of you may know.
Why I was never a fan of Overhang Party and Fushitsusha? LOL. TBH the vocal's weak sound (AHhhh, ahh) is really a disaster I don't think any LRD enjoyer would be able to endure this part…
No.182
An album from a South Korean metal band that makes me to be instantly drenched in endless memories and sad images.
A blend of 新月 Shingetsu + 美狂乱 Bi Kyo Ran, so it's very much has a similar sense - non musically speaking - with japanese progressive / psychedelic, but its ultimate specialness comes from their unpolished use of synthesizer technology. Most raw feelings.
https://www.metal-archives.com/bands/Sad_Legend/7468Recommendation: 3. An Echo Of Bizarre Screams
No.184
>>183I don't know how this feeling comes to me, that, if Les Rallizes Denudes pushed their music to the extremest, they won't be very noisy, but they'd become another
Sad Legend - again, vibeologically, not musically, since really only this
sad legend didn't care about music technologies, their synthesizer's usage is laughable.
