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/b/ - Stochastic

"Alle Empfindungen stiegen bis zu einer niegekannten Höhe in ihm. Er durchlebte ein unendlich buntes Leben; starb und kam wieder, liebte bis zur höchsten Leidenschaft, und war dann wieder auf ewig von seiner Geliebten getrennt."
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  • inline code, use `
  • strong text, use **
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  • slash the text, use ~~
  • underline the text, use __, enclosing text in double underscores.
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  • Goth the text, use [[ and ]]; Garamond the text, use (( and ))
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    // comment
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    ```

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    File: 1712317054351.png (17.6 KB, 200x34,searxng-200.png)

     No.47Locked[Reply]

    Yet another SearXNG instance! https://searx.deep-swarm.xyz/

     No.11[Reply]

    Why Kairos never release any Xenakis…
    10 posts omitted. Click reply to view.

     No.27

    >>25
    Anyway, Xenakis as a composer, was aware of it and did some changes. He left the nation, left corbusier, left darmstadt, left GRM, he left Ircam, he kept leaving and starting over, with mission.

     No.29

    >>25
    brahms.ircam.fr is actually THE place to see their reception of various composers. Electroacoustic/computer composers're actually included. Those seem to have become "national symbols", art-music-technology… for french. Ircam continues to get brutal in this regard, now it filled with wearable devices, diagrams, that sort of thing.

     No.31

    >>27
    He's too much a thing. His conversations, his writings, they're absolutely clear. He hardly ever cites, and never write trivial nonsense to exhibits snobbery in order to be seen as highbrow. And you read Stockhausen, or read Boulez, full of dumbfuck trivial nonsense. It's about intelligence. I'll say that he's literally operating at a different level. If you're too intelligent it's hard for you to actually be successful (in its banal sense) since you're just too different.

     No.33

    >>31
    Well, Boulez's own writings and his correspondence with Cage, I may say, were full of social relationships and so on. B and X 're quite different, cannot talk and get along, I think it has a lot to do with the strong social nature of Boulez himself, and he doesn't think about anything other than music, so, X was a doomer to him, basically. I once scanned a book https://deep-swarm.xyz/share/my-scans/Boulez.pdf . Boulez was criticised him in this talk, talking about the Form, saying stochastics composing made no sense. It's too weird.
    Stockhause, I haven't read any, is this book Towards a Cosmic Music worth reading?

     No.34

    >>33
    IDK. I don't like his music, neither his writings. I think they, the latter, are almost new-age type vulgarizations of the currents of his milieu. He's more akin to Scriabin in his style of thought, and in its characteristic, actually subcultural; in the tech-gnosis spectrum. Similar to, say, Terence McKenna, associatedd with weeds and mushrooms and so on.


     No.37[Reply]

    Me own a top-floor garden of 60+- sq m. Planting some coffee trees, and be a real vo-men
    1 post omitted. Click reply to view.

     No.40

    So a glowing garamond is like this: Garamond.
    ::((Garamond))::

     No.41

    Test code block:
    code and
    code block

     No.42

    Define rules for these tags, then in inc/config.php:
    	// goth font [[]]
	$config['markup'][] = array("/\[\[(.+?)\]\]/", "<goth>\$1</goth>");
	// garamond font (())
	$config['markup'][] = array("/\(\((.+?)\)\)/", "<gara>\$1</gara>");
        // glow :: ::
	$config['markup'][] = array("/\:\:(.+?)\:\:/", "<glow>\$1</glow>");

     No.44

    Gothic title Garamondic title
    ## [[Gothic title]] ((Garamondic title))

     No.45

    File: 1712241478866.jpg (46.31 KB, 500x281,tree-500.JPG)

    >>39
    So this is the tree.


     No.20[Reply]

    The web design stage of this site finally gone… New chan badge available! Animations’re still need a redo.
    Now two sites look very similar, this is what I always want to do.

     No.32

    Now it's glowing in the dark.

     No.35

    File: 1712156297139.png (284.98 KB, 539x539,8d00c442e497718fb36aa0cb3f….png)

    Now i'm really glowing…

     No.43

    Now i'm really glowing, for real…


     No.30[Reply]

    It's now confirmed, after the first use of HD600, I don't use any Hifiman, anymore. Time to get a HD800s.

     No.26[Reply]

    My observations on computer/electroacoustic music gangs:
    ircam.fr: boulez, macos-style, AI, intermediaries on all sides, most greedy;
    tub&hague: musicology, sonology, naive engineering plus sort of higher culture, appropriate integration. So there exist label bastille musique;
    british&us: a naive sense on computer music, open source, new electronic-instruments invented, some implementions on Xenakis' methods, follow the computer music tutorial book (like cs students follow SICP), naive AI "composing" etc. Many DAW plugins. Open to both avant-garde/jazz, and some degenerate popular music, even anime ost…

     No.28

    >>26
    The best thing british&us could offer to you, is ccrma tutorial.
    https://ccrma-ftp.stanford.edu/~jos/Welcome.html
    <red>cookie warning, and certificate invalid.</red>…


     No.22[Reply]

    I remember I saw many people of my old >institute, they liked doing data sonification, and some music cognition stuff, and they almost all know about Xenakis etc., even Schaeffer. But…
    After all, finally I really did a privacy-focused project. This sounds like a dream but I really did, and all of them around me doing serious music&soyence research. And me doing Anonymity, for human voice, literally made for future communication softwares…

     No.23

    > they almost all know about Xenakis
    It might not be true. But the case is, they might suddenly know Xenakis, since they were in an institute. Well, that’s not very important. Their brains’re totally messed, I tried to be nice and teach them something, intuitively, then failed, then I quit. These naive cs students are those who really use Juce framework and some audio programming languages. They like do-it-yourself and never thinking, they like >don’t be too theoretical.

     No.24

    One prof once said to me:
    >touch the grass, don’t focus too much on concepts.
    And , last minute I was talked about Tristan Murail, to him.
    What a shame, this memory makes me disgusted all the time. >Higher educated conservatory profs may blindly follow major labels and reject all normies/amateurs, but >higher educated audio-music engineering profs want reject all thoughts and only do something “practical”. And both of them neither read Xenakis’ book or know any __.


    File: 1711694305497.jpg (505.74 KB, 1123x2000,2k.cleaned.JPG)

     No.10[Reply]

    The list is still growing.

     No.9[Reply]

    Spatial or non-spatial is not so important, a multi-media show is not so important. Computer is not a base, >immersed listening is just cringe.
    Researchers're always mediocre:
    >When speaking of “meaning” in this context, it is in terms of immersion, in the manner similar to the perception of the countless sonorous events and sensations we are flooded with in our daily environments. In others words, music functions like a micro-universe, surrounding the listener, where sonorous information comes from everywhere around.
    So immersed-listening bluetooth headphones take thier reason to exist.

    File: 1711682917496.jpg (316.42 KB, 500x500,cover.jpg)

     No.8[Reply]

    Although outhere has a degenerate web design. They are decent in graphic design, like this release shows. Static is better than dynamic. Cold is better than warm. "Web design" is generally degenerate.
    Graphic design of Alia Vox is S-tier.

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